
photo by Julieta Cervantes

photo by Julieta Cervantes

photo by Julieta Cervantes

photo by Julieta Cervantes
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TO PROJECTS
(2005, Duet)
Keely Garfield choreographs poetically subversive dance
sagas that illustrate subtle and seismic shifts in emotional and physical
states. Her moving tales are rife with wry undercurrents and are acutely
articulated in softly-sensed, declarative, and warped ways. For her highly
anticipated return to Dance Theater Workshop (January 26 – 29, February
2 – 5, 2005) Garfield premiered two new works about separation anxiety
as both a personal and political phenomenon. Scent Of Mental Love features
original songs performed live by Rachelle Garniez, and Disturbulance,
is set to original music by celebrated guitarist Marc Ribot.

(2005, Duet)
In passages of architectural dancing that are highly
organized, and immediately disrupted, two figures meticulously measured
movements lay bare the onset of disturbance, and the duration of turbulence.
At once transparent and mysterious, Disturbulance is stripped of narrative,
instead bringing essential elements into extreme focus. Disturbulance
is performed by Keely Garfield and Walter Dundervill to original music
composed by Marc Ribot.
Premiere: Dance Theater Workshop (New York, NY), January
26, 2005
Disturbulance was originally commissioned
by the Bessie Schönberg/First Light commissioning fund and the Creative
Residency program of Dance Theater Workshop. Disturbulance has also been
supported with funds from the Bossak/Heilbron Charitable Foundation, the
Harkness Foundation for Dance, and by Dancenow/NYC/Silo Project. Marc
Ribot’s original score has been made possible by a grant from the
American Music Center’s Live Music for Dance Program.
 
(2005, Duet)
Scent Of Mental Love is a rigorously pre-arranged
faux pas-de-deux that succumbs to the seduction of a suggested relationship
while simultaneously unveiling it’s choreographic conceits and constructs.
Painstakingly wrought, the duet is permeated by Rachelle Garniez’
brutally original songs ranging from bittersweet blue-grass laments to
obstreperous waltzes. The work is performed by Paul Hamilton and Omagbitse
Omagbemi.
Premiere: Dance Theater Workshop (New York, NY), January
26, 2005
Scent Of Mental Love was
originally commissioned by Celebrate Brooklyn. Some of the material for
Scent Of Mental Love was created during a residency provided by The Joyce
Theater Foundation, New York City, with major support from The Andrew
W. Mellon Foundation. Additionally, the piece has been supported by the
Bessie Schönberg/First Light commis-sioning fund and the Creative
Residency program of Dance Theater Workshop. Rachelle Garniez’ Live
music and the original score have been made possible by a grant from the
American Music Center’s Live Music for Dance Program.
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