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Biography
History
About the work
List of works
Audience response
“The action in Garfield's
dances follow an elusive, Alice-down-the-rabbit-hole illogic.”
Dance Magazine
“A performer of distinctive depth, wit, and force.”
Robert Greskovic
New York Native
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KEELY
GARFIELD DANCE (formerly Keely Garfield
Sinister Slapstick), was founded in 1989, and has been presented
at theaters including Performance Space122, The Joyce SoHo, The Joyce
Theater, Danspace Project, Movement Research at Judson Church, Arts at
University Settlement, Dixon Place, The Knitting Factory, Joes Pub, Symphony
Space, and The 92nd Street Y at Playhouse 91 and The Duke on 42nd Street.
The company has been the recipient of several Bessie Schönberg/First
Light commissions from Dance Theater Workshop and has performed at DTW
numerous times including three sold-out seasons. They have also performed
at the Tweed New Works Festival, the Dancenow/NYC/Festival, Dance Blitz,
Free Range Arts’ Humor Unplucked series, New Dance Alliance,
the Salon Project, Martha@Mother, the Spring Loaded Festival (London),
Danse Vernissage (Montreal), Tanzmesse (Dusseldorf), Howard Community
College (Maryland), The Pittsburgh Playhouse (Pittsburgh).
Twice featured on PBS’ City Arts show, the company has received
consistent audience and critical praise for their work. In 1993 Garfield’s
Come Hell And High Water was selected as a “Highlight
of the Year” in The New York Times, and her show My
Mother Was A Four-Alarm Fire and Other Mostly True Stories
was named a “Top Ten Pick” of 1998 by Time Out
NY. More recently, Garfield’s “Crazy-smart”
Free Drinks For Ladies With Nuts was selected by Time Out NY
on its “Best of 2002” list along with Garfield’s
co-hosting (with Lawrence Goldhuber) of the 2002 Bessies. Keely
Garfield Dance has commissioned original music from composers Phillip
Johnston, Anthony Coleman, Rachelle Garniez and Marc Ribot, costumes by
Liz Prince, and lighting design by Susanne Poulin.
The company has garnered three New York Dance and Performance Awards for
performance (Rachel Lynch-John), original score (Phillip Johnston) and
lighting design (Roma Flowers). Garfield’s work has been supported
with funds from the Jerome Foundation, Arts International (National Endowment
for the Arts), the Harkness Foundation for Dance, The New York State Council
on the Arts, Meet The Composer, Mary Flagler Cary Charitable Trust, The
American Music Center, Bossak/Heilbron Charitable Foundation, Dance Ink
Foundation, Independent Artist Challenge Program (The Field), and a BUILD
grant from the New York Foundation for the Arts. Garfield is also a New
York Foundation for the Arts Fellowship recipient distinguished as a Harkness
Foundation for Dance Fellow.
Recent highlights include the creation of Disturbing The Peace
(Zenon Dance Company, Minneapolis 2003), Deep (The Joyce Theater/Altogether
Different, 2003), and Scent Of Mental Love work-in-progress
(Celebrate Brooklyn 2003). Scent of Mental Love will be presented by Zenon
Dance Company this November in a world premiere and will receive it’s
New York premiere at Dance Theater Workshop in January 2005. For the DTW
performances, Garfield is creating another new work, Disturbulance
featuring an original score by Marc Ribot. Also in 2005, Garfield will
collaborate with German film-maker Marcus Behrens on a dance film of her
work.
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